Berlin Woodwinds
Soloists 2
4 expressive solo instruments for the lower registers. An
elegant bassoon, a rare bass oboe, bass flute, and bass
clarinet—all wonderfully playable with a close, intimate sound.
Highlights
Define your sound
Sonically, these instruments are designed to be flexible: Clear and defined on their own, responsive to external reverb, and the perfect complement to the ensembles in our Berlin Woodwinds main library.
Playable and expressive
Each of the players is a true soloist—from Paul-Gregor Straka on the bassoon, to Sabine Kaselow on the bass oboe. And you can channel these performances easily—three legato modes let you play fluid melody lines, while still offering plenty of scope for detailed editing later.
Playable and expressive
Each of the players is a true soloist—from Paul-Gregor Straka on the bassoon, to Sabine Kaselow on the bass oboe. And you can channel these performances easily—three legato modes let you play fluid melody lines, while still offering plenty of scope for detailed editing later.
The soloists for your ensemble
These solo instruments complement the ensembles in the Berlin Woodwinds main collection. The up-front, intimate sound of the solo instruments sits well with the more spacious ensemble sound of the main room, while at the same time giving the soloists the spotlight they deserve. We’ve taken great care to make sure that playability, techniques, and levels are consistent across all Berlin Woodwinds—in fact, across the whole Berlin Series.
About the legato styles
Play straight out of the box with adaptive legato—play moderately, and you get a
nice slurred legato. Play faster and you’ll automatically get faster legato
transitions. Additional re-tongued transitions, where the player ‘re-attacks’
a note, provide added realism.
Expressive legato
Fast, agile legato
Re-tongued legato
A single velocity layer for maximum expressiveness
Instead of recording fixed p, mf and f layers, the musicians were free to follow
their instincts in choosing the best dynamic for a solo part. This gives rise to lively,
dynamic long notes in different styles. While higher velocity leads the instrument to play
a subtle crescendo, playing more softly results in a slight decrescendo. By using a single
velocity layer, we reduce any phasing effect to a minimum.
Runs in
Get SINE for free
Mic merging
Preserve your system resources: Fine-tune your mix using multiple mic positions, then merge into a single channel within the player.
Greater usability
SINE is designed to complement the compositional workflow. Create on the fly with auto keyswitch options, and easy remapping tools.
Download à la carte
Choose only the instruments and mic positions that you currently need—no need to download the entire collection at once.
Berlin Woodwinds
Woodwinds Soloists 2
Low woodwinds
Studio
Teldex Solo Booth, Berlin
210,00 € +VAT
Not licensed
Licensed
-
Irregular Shapes (by Hendrik Schwarzer)
Woodwinds Soloists 2 -
Caretta, Caretta (bassoon) by Emmanuel Jacob
Woodwinds Soloists 2 -
Eugène (bass clarinet) by Natalie Hausmann
Woodwinds Soloists 2 -
Among the Dunes (bass flute) by Ben Botkin
Woodwinds Soloists 2 -
The Article (bass oboe) by Emmanuel Jacob
Woodwinds Soloists 2 -
Til Death Do Us Part excerpts by Sascha Knorr
Woodwinds Soloists 2
Specifications
- SINE version: Works with Orchestral Tools’ SINE Player—NOTE: Very latest version required!
- Kontakt version: Works with Kontakt 5.5.1 full (Please note: Kontakt versions bought after Feb 17, 2021 can be upgraded to SINE for a support fee)
- 6,8 GB of samples (3,72 GB SINEarc/NCW compressed)
- 24 bit / 48 KHz patches
- System requirements SINE:
- Mac OS 10.13, i5, 4 GB RAM (16+ GB recommended)
- Windows 10, Intel Core i5 or similar (Windows 7 is not officially supported)
- Interfaces: VST, AU
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